Yesterday I came across a report by the AES Technical Council discussing the Technology Trends in Audio Engineering. By the way, for those of
you who aren’t familiar with AES, it stands for Audio Engineering Society. The
technical council tried to define standards for different audio uses and is
made up of numerous committees specializing in these divisions. I advise anyone
who is interested in audio to keep up with AES and check out their website. It
has a lot of valuable information on the industry and gives you a chance to
connect with an abundance of creative audio professionals. If you’re in the
area when they’re hosting one, their conventions are one of the biggest in the
industry to attend, which could prove to be a great way to network.
Anyway, what I like about this report is that not only do
they talk about technological advancements, but they also break it down by the
committee divisions I wrote of above. Perhaps one of the more relative divisions to audio
post-production is Spatial Audio. The report speaks about how the trend was to
go from 5.1 surround sound to 7.1. The loudspeaker layout didn’t catch on as
planned, but the Society projects 3-D layouts, including height speakers, in
the future. They’re currently working on 9.1, 10.2, and 22.2 layouts.
Another trend is spatial audio techniques since the rise of
3-D films. The Society claims there haven’t been much advancement in this area,
but see more of a focus coming in the future. For average home listeners, and
more basic theaters, stereophonic sound is still prevalent. The next step is
creating special audio for these mediums to keep up with the visual depth of
the 3-D effects.
As I near graduation from
an Entertainment Business Master’s program with a recording background, I feel
prepared to excel in this area. I have had the opportunity to work on a few
post production projects that allowed me to learn about spatial audio and
surround sound mixing. I think that being a recent graduate shows I’m willing
to learn more about the process. I hope that 3-D loudspeaker layouts do catch
on. I would be very interested to experience it in a theater. I wonder if it
would ever progress to a point where we would have smaller speakers in a
dome-like setup in theaters. Imagine the hair drying domes with the holes in it
at salons, where every hole would be like a speaker placement. It could be
quite the audio adventure!
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